ok jazz造句

• Mangwana often played lead singer on compositions by OK Jazz guitarist Simaro Lutumba.
• Franco and all other members of OK Jazz were tutored and trained at the Loningisa studios.
• The following year the band was renamed OK Jazz in honour of the place it had begun.
• He left OK Jazz and briefly to re-joined Tabu Ley's band, now called Afrisa.
• As a founder of the seminal group OK Jazz, he is counted as one of the originators of the modern Congolese sound.
• M'bilia Bel took centre stage, overshadowing other Afrisa artistes including Ndombe Opetum who had returned from T . P OK Jazz.
• He also formally invited the popular Congolese bands Le Grand Kall?et l'African Jazz and OK Jazz to come perform at the talks.
• Mose Fan Fan of OK Jazz also proved influential, bringing Congolese rumba to East Africa, especially Kenya, after moving there in 1974 with Somo Somo.
• OK Jazz included Francois Luambo Makiadi who emerged as Zaire's first true pop-music star for his extraordinary musical talent, particularly his guitar playing abilities.
• During its early development, African Jazz maintained a strong rivalry with Leopoldville's other major " rumba orchestra ", OK Jazz, led by Franco Luambo Makiadi.
• During the conference the group recorded their two compositions ( along with a piece by OK Jazz vocalist Victor Longomba, " Vive Patrice Lumumba " ) in a His Master's Voice affiliated studio.
• African Fiesta, however, lasted only two years before disintegrating, and Tabu Ley formed Orchestre Afrisa International instead, but this new group was not able to rival OK Jazz in influence for very long.
• Papa Noel Nedule, a Congolese guitarist who was born on Christmas in 1940, plays with a preternaturally light touch; he was a member of Franco's great band, T . P . OK Jazz.
• Anthropologist Bob W . White has compared the " clean, cosmopolitan, modernist sound " of African Jazz by the mid-1960s with the " more rootsy traditionalist sound " of OK Jazz to illustrate the argument.
• Most of these were coming from ( or would later move to ) other prominent soukous bands such as Zaiko Langa Langa, Langa Langa Stars, Orchestre Big Stars, OK Jazz, Za飇o Nkolo Mboka and others.
• Other influences is from the Congolese maestros like Luambo Makiadi and his T . P OK Jazz, Dr . Nico of African Fiesta Sukisa and countless other African musicians who have helped to mold African music and inspired another generation of musicians.
• The " first school " is probably that of soukous bands of the 1950s, such as Grand Kalle et l'African Jazz and OK Jazz, while the " second school " could be that of Sam Mangwana's African Fiesta.
• Awilo's relatives in the music industry include his father Victor Longomba a founding member of T . P OK Jazz as well as his late elder brother, Lovy the father to the Longombas who are a popular afro-fusion group based in Kenya.
• Mangwana was the most popular of these solo performers, keeping a loyal fanbase even while switching from Vox Africa and Festival des Marquisards to Afrisa, followed by OK Jazz and a return to Africa before setting up a West African group called the African All Stars.
• While great soukous bands such as Za飇o Langa Langa, Bella Bella or OK Jazz competed with each other for the favors of the Kinshasa youth, Stukas deliberately played in the outskirts, for the people in the suburbs, who could hardly afford going to the venues downtown to see musical shows.